One can ponder processes and methods, and frame theories
from research and analysis in order to gain insights into another era, but
there is nothing like a review of the day-to-day accounts to get a feeling for
how matters were really managed. Financial details always present things with
stark, cryptic realism. There is nothing intellectual or academic to complicate
things here. There is no flimsy fantasy or aestheticism. We see issues revealed
in the simple rawness of the ordinary, bland language of firm and unforgiving
fact. How the various parts of a building were perceived and organised is just
as interesting as the daily workings of the parish, and the personal and
practical relationships between the church and the architect. It is surprising
how a few lines in a list can give such a broad picture of other times. The
items scheduled present a gritty snapshot that has a quaintly tough certainty
about it, presented with a lack of any cute sentimentalism. While the details are
all very definitive, the information reads like a firm and final crust that is
concealing a complexity of ‘softer’ issues that one would like to know more
about. Still, it is all very intriguing.
Gerald Cobb, The Old Churches of London, B.T. Batsford Ltd., Mayfair and Worcestershire, 1942-3 (2nd revised edition).
p.94
But these things are a legacy from the time when the Church
was the best – almost the only – patron of the arts, and when there were no
“Ecclesiastical Furnishers” (!) for ecclesiastical and secular art were one;
and this art was practised by none but craftsmen trained in a sound and living
tradition. This healthy state of things lasted until near the end of the 18th
century, and was not finally destroyed till the Gothic revival became vitiated
by the lack of taste that overcame architecture and the lesser arts in the
middle of last century, and of which the productions shown at the Great
Exhibition of 1851 were typical.
p.49-50
THE CHURCH. – The Entries for building the Church are not so
interesting, but include the following:
“To Thomas Cartwright,
Mason
ffor
carving 10 Corinthian Capitals ¾ round
at viii £ each £80.0.0
ffor carving 7 Cherubins heads
(keystone arches?)
at xv s each £5.5.0
“To John Grove,
Plaisterer
ffor ye 2
wreathes about 2 round windows 31 f long with the
festoones and knots and
compartments £
4.10.0
ffor ye
Great modillion Cornice, 191f long £52.10.6
ffor 2
Vrnes each 3 f 6 in high at £5.0.0
ffor 1500
yards of whiting at ij d £12.10.0
Allowed for
the high scaffolding at £10.0.0
“To William Cleere,
Joiner, for 2 paire of large outside dores with
Compass heads 2 in ½ thick
mitered at per paire x £ £20.0.0
ffor 4 Urnes, 3 ft high 2 f wide at £1.0.0
p.40
PAROCHIAL “CHARITY.”
St.
Swithun:
1661 For getting several people out of
the Parish 8
1679 Pd. For clearing the P’sh of a woman bigg with childe
1.0
1702 To coach hire to carry a poor woman to prevent her
dying in ye
parish 2.0
p.41
in St. Mary Woolchurch
accounts:
1601 Paid to Andrews for whipping the
vagrants for
one whole
yeare 5.4
1611
Paid to Robert Andrews for yiorne worke for the
whipping poste 2.8
p.45
From the GENERAL ACCOUNTS (in the same volume) many
interesting facts emerge:
Aug.
31, 1671: “To Christopher Wren, his disbursements to Samuel Wells for drawing
paper, paper bookes, pencils, parchment, etc., as appears by bill from June
1670 – May 1671, the summe of
£7.16.6
£7.16.6
p.51
DINNER TO WREN AND HIS LADY. –In the Churchwardens’ Accounts is the following:
7 March, 1673 Paid for a dinner at the Swan in Old Fish
Street to
entertain Dr. Wren . . . with the
vestry and others £9.9.0
EFFORTS TO HASTEN REBUILDING. –
“Paid to ye Survaer Gennarall by order of vestry for a gratuity to his Lady to
incuridg and hast in ye rebuilding ye church twenty ginnes” in a sik purse.
(The gift to Lady Wren is a subtle touch!)
6 May, 1673 Spent at several vestries and other
occasions in prompting the rebuilding
the church this year £8.3.0
…………..
In the Accts., 1680-1 is this item:
Paid for a hogshead of Claret presented to Sir Chr. Wren £9.10.0
It is good to know that the vestry made gifts out of
gratitude as well as by way of bribe!
Etc.
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